Wednesday 23rd March 2005

 
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The Jahajee Massacre and Phagwa

 

Phagwa is with us, a festival embracing the energies of the elements of water and fire, oppression of religion and resistance against conversion, absolute faith, social conscience, social leveling, oneness, the labour class, colour, dance, poetry, social conscience and song—traditional songs and innovative pichakarees. As a matter of fact, Phagwa is classified as a shudra festival.

Pichakaree has, again, come in for scrutiny by the community, as indeed, it must. In fact, all things in the community must receive scrutiny—things that come from within the community as well as those things that come from outside. The charge this time is that Kendra Phagwa is celebrating a Muslim festival, Hosay. This year, the Kendra commemorates the 120th anniversary of the Jahajee Massacre of October 30, 1884, which occurred during the Hosay festival.

Even while Hosay may be faced with an uncertain future within its host community, it will continue to have a special place in the history of T&T in general, and in the history of Indians in the Caribbean in particular. It is—at least, ought to be—of critical interest to Hindus, for it was mostly Hindu blood that flowed during the Jahajee Massacre.

To suggest, however, that the Kendra Phagwa Festival is celebrating Hosay during Phagwa is neither true nor our intention. As a matter of fact, the celebration of Hosay is marked at a special time in the lunar calendar long past. Hosay is given to two Muslim martyrs but Kendra Phagwa celebrates Prahlaad and Narshigh Avataar, to the extent of annual portrayals at Holkia Dahan, which has been creatively shaped over the past few years at the Kendra. Tadjas and flags are the most important visuals which are not part of Kendra Phagwa Festival.

As a matter of fact, whether Hosay is a Muslim festival or not, is not a settled issue even amongst Muslims. It is, however, they who must resolve that question. But the objection raises a wider issue in the context of mandirs and Hindu homes which celebrate Christmas.

Neither Hindus in general, pundits nor Hindu organisations have ever taken the same hard line towards Christmas. There are Hindu institutions and mandirs which celebrate Christmas for children. Hindus have lavish feasts for Christmas and it has become a family day. While we may accept the Christmas incursion in Hindu life, Hosay has a stronger validity for Hindus. It is the context in which Hindus were afforded an opportunity to perform the ultimate sacrifice while they engaged a struggle for a cultural space in the Caribbean.

“There was no festival that offered the jahajees the kind of use of space as Hosay because it was processional, the only processional religio-cultural activity of the jahajees at that time,” said Ken Parmasad, at a lecture at the Kendra.

The Kendra became interested in the Jahajee Massacre while it began to explore Pitri Paksha as a period (paksha) for expression of the world view, opinions, heritage (paksha) of our pitris – ancestors. It is this journey that led us to Balidaan Tola – the place of sacrifice and the historic event of Jahajee Massacre (out of 22 martyrs, 18 were Hindus) in Mon Repos, San Fernando.

We were moved to begin an annual journey there to offer tarpan for our ancestors during Pitri Paksha. The realisation that it was mostly Hindus who comprised the procession or who were wounded or killed was too compelling to turn out backs on it. We must find a way to integrate the realities and the energies in our community life.

Jahajee Massacre plays a part in Kendra Phagwa Festival 2005. We may have confused people because of this, hence it is necessary to explain. One of the goals of pichakaree is to engage a theme annually and through this device secure songs on different subjects. In 1995 the theme was Indian Arrival, from which we have produced a cassette on Pichakarees of Arrival. During International Year of the Family, this pichakaree theme secured many interesting pichakarees on family life. We hope to secure a crop of songs on the event of the Jahajee Massacre this year.

On March 27, at Divali Nagar, T&T will have an opportunity to hear some pichakaree offerings on the Jahajee Massacre. It is clear that the composers may have scanty information, as neither the school system nor our community has managed to make it available. Yet, pichakaree on Sunday at the Divali Nagar will bring an interesting perspective.

Lyn Khan will ask in her chorus:

“After so many years of indentureship,

How come jahajees still feeling the whip?

They wok hard lika bhaisaa, look how dey suffer.

Now tell me who reaping the fruits of dey labour?

Wake from yuh slumber, reclaim dharma

To save jahajee culture, we must stop dis massacre.”

Vinatri Ramkissoon weeps,

“I still hear the cries of the jahajee massacred,

And now Caroni bosom run dry.”

 

 

 

 

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