Peter
Elias along with Calvin French, have launched their section
in Tribes 2006 Carnival Band What Lies Beneath.
The section, Mermaids, caters to a long following of supporters
that include former beauty queens, people in the fashion
industry and dignitaries among many others.
Elias, well established in the fashion industry, is also
considered a queen-maker and has been designing mas for
five years. He has collaborated with world-famous fashion
photographer French, who has also dabbled in various Carnival
productions.
In 2005, Elias produced a Queen of the bands called Madame
Can-Can and in 2004, his King presentation was Sex, Lies
and Fire.
Elias and French have synergised their energies to create
what they describe as Fashion meets Carnival.

Elias explained in an interview that he was most proud of
combining the element of costuming with the wearability
of the presentation.
Carnival
has become almost generic in that many costumes look almost
the same. We are depicting Mermaids and wanted a costume
that looked like a mermaid and, at the same time, was easy
to wear.
French said, I am not a fan of the two-piece with
beads. Darling, its glamour and elegance!
Masqueraders,
when they are in these costumes, will be parading on the
streets of Port-of-Spain and looking fabulous and they will
be wearing cloth and lots of accessories, not a silly bra
with beads on it.
A careful study of the components of the presentation tells
of all their
efforts to pay attention to detail.
The base of the costume is silk georgette that is hand-dyed
in a swirl of vibrant colours, depicting the sea in shades
of indigo blue, turquoise and emerald green. Onto this silk,
iridescent piats are carefully embroidered creating the
scales typical of a mermaid and, at the same time, the shimmer
often seen on the sea.
Interestingly, Elias shared that the top is not a bra and
explained that the masquerader gets both a bra and also
a top that is worn over the bra. He jokingly questioned
the hygiene aspect of playing mas for two days in the same
decorated bra top.

The base panels are also unique in that its a one-size-fits-all
costume where the masquerader uses the ties to connect these
panels.
Both the top and base panels are cut unevenly to create
the effect of being torn by the sea and also resembles the
shape of seaweed.
Accessories for the hands and feet are actual seashells
knotted together with piats on silk cords creating an authentic
effect of what really lies beneath the sea.
Hoop earrings are made of the iridescent piats. The headpiece
and hand fan, both hand-painted to complement the tones
of the entire costume, imitate a sea fan closely and at
the same time, are very light and comfortable to the wearer.
Each female masquerader also has hand-dyed silk fabric panels
that can easily be attached to both the front and back base
panels creating a more elegant effect that truly resembles
the sea.
The male element echoes the old fable of Neptune, the Great
Warrior of the Sea.
To create the gladiator effect, matte silver and matte gold
metallic piats were used, intending to create armour-like
components. Even though men are usually ignored in costuming,
Elias said that effort was given to the components of the
male costume with the intention of the masquerader wearing
them comfortably and enjoying them.
A cross-shield for the chest, held by a gold chain at the
back, a waistband, ankle bands, wrist and armbands, a headband
and most importantly, a trident, will make a realistic depiction
of the theme.
Asked about working together on the section, Elias said,
Ive known Frenchie for over 20 years. Hes
a true friend. I respect his love for the artform and passion
for excellence.
French in turn described Elias as, A man of style.
He creates beauty. More importantly, he is a man of his
word.
CREDITS
Photography
Calvin French
Styling
Peter Elias
Make-Up
Lucia Eligon (Sacha Cosmetics)
Airbrush Body Painting
James Paul (JMP Graphic Concepts)
Hair
Bally
Models
Rhiann, Leah-Marie, Christiane, Jenna-Marie,
Tenika, Kenwin, Ricardo, Richard, Keron and Stevenson.